Gemstones Glossary

We cre­ated this sec­tion to help you un­der­stand some of the terms com­monly used to de­scribe vari­ous char­ac­ter­ist­ics of pre­cious gem­stones. We will be ex­pand­ing this sec­tion, so if there are spe­cif­ic terms you wish to learn more about, please let us know, and we will make sure to add the rel­ev­ant in­form­a­tion with our fu­ture up­dates.

Brilliance

The terms "bril­liance," "fire," and "in­tern­al luster" of­ten are used to de­scribe the fine­ness of a gem­stone. These rather tech­nic­al and pre­cise terms have pro­fes­sion­al mean­ing; they are used to meas­ure the amount of light re­flec­ted from the in­teri­or of a gem when ob­served dir­ectly through the crown. Bril­liance is a func­tion of a gem's cut as well as the re­fract­ive prop­er­ties of the min­er­al it­self (meas­ured by re­fract­ive in­dex). The term luster is used to de­scribe the ap­pear­ance giv­en to a gem by its light re­flec­tion. Metal­lic luster looks like the shin­ing of pol­ished metals; adam­antine luster re­sembles glit­ter­ing dia­monds; vit­reous min­er­als look more like the re­flec­tion from glass; silky luster de­scribes the shine of malachite; res­in­ous is for the warmth of am­ber; greasy is used to de­scribe neph­rite.

Brilliant Cut

The group of cut­ting styles used for dia­monds is called the bril­liant cut. With this type of cut, usu­ally it is pre­sup­posed that the lower fa­cets ra­di­ate from the cen­ter of the gem to­wards the girdle. The bril­liant cut has 57 fa­cets. Its most clas­sic­al shape is round, al­though oth­er shapes are pos­sible as well. More in­form­a­tion is avail­able in Bril­liant Cut.

Carat

The word “car­at” is of Greek ori­gin and means “a fruit of the carob.” Carob seeds were used to meas­ure dif­fer­ent items of small size, like pearls or jew­els. Now, car­at is the con­ven­tion­al unit of mass used by jew­el­ers world­wide. It is used to meas­ure the volume, mass, and pur­ity of a sub­stance.

The met­ric car­at (CT) equals 200mg and is used to meas­ure the mass of pearls and gems. This stand­ard was ad­op­ted in 1907 at the Fourth Gen­er­al Con­fer­ence on Weights and Meas­ures and fol­lowed soon after in many coun­tries around the world. Nev­er­the­less, some coun­tries have their own car­at to meas­ure gems: the Eng­lish car­at equals 205mg; Ar­ab­ic car­at (also called qir­at) is 223mg; Asia Minor qir­at is 200.4mg; Egyp­tian qir­at equals 195mg. The Egyp­tian car­at, equal to 0.064L, is used for meas­ur­ing a gem's volume.

Car­at is also used for de­fin­ing solid­ity of pre­cious metals. For more in­form­a­tion, please check Metals Gloss­ary.

Certificate

The most com­mon way to get a cer­ti­fied gem­stone is to re­quire a GIA (Ge­m­o­lo­gic­al In­sti­tute of Amer­ica) cer­ti­fic­ate when buy­ing jew­elry. Usu­ally, a cer­ti­fic­ate is a doc­u­ment de­fin­ing a gem­stone's type, weight, col­or, clar­ity, pro­por­tions, fin­ish grade, treat­ments, etc. In the United States, GIA re­ports are con­sidered the most trust­worthy cer­ti­fic­a­tion. Some jew­elry shops have their own ac­cred­ited labs, which can cer­ti­fy your pur­chase ac­cord­ing to the para­met­ers men­tioned above. They can also identi­fy some oth­er fea­tures, such as a gem's hard­ness or its ap­prais­al value.

Characteristics

Four main char­ac­ter­ist­ics are used to eval­u­ate a pre­cious stone: weight, cut, col­or, and clar­ity. The clear­er the stone is, the more care­fully it is cut, the more it weighs, and the more unique col­or it pos­sesses, the more the stone is val­ued.

Clarity

The term "clar­ity" in re­la­tion to a gem­stone usu­ally is defined by two char­ac­ter­ist­ics: the ab­sence or pres­ence of any in­clu­sions and the de­gree to which light can pass through a stone. These two char­ac­ter­ist­ics of clar­ity are in­ter­linked; the pres­ence of in­clu­sions can af­fect the way light passes through the gem. Typ­ic­ally, all gem­stones are graded ac­cord­ing to the pres­ence and vis­ib­il­ity of the in­clu­sions.

Some gem­stones, like dia­monds and oth­er beryls, are val­ued for their trans­par­ency and clar­ity, and the pres­ence and vis­ib­il­ity of the in­clu­sions can sig­ni­fic­antly re­duce their price. On the oth­er hand, there are gems like em­er­alds or ru­bies, which are val­ued for their col­or, and the more in­clu­sions these gems have, the deep­er is their col­or.

The vis­ib­il­ity of in­clu­sions is usu­ally meas­ured in gem­stones which are val­ued for their clar­ity. The more vis­ible the in­clu­sions are, the smal­ler is the price of the gem­stone. The grad­ing of in­clu­sions vis­ib­il­ity is done on a sep­ar­ate scale. You can read more about this top­ic in the art­icle about dia­mond's clar­ity.

Cleavage or Feather

A feath­er usu­ally is an in­tern­al flaw of a spe­cif­ic nature, such as an in­clu­sion or a crack go­ing deep in­to the stone's in­teri­or. Feath­ers and cleav­ages can start at the sur­face of the stone and ex­tend deep in­side, or some­times they may oc­cur with­in the stone as the res­ult of changes in at­mo­spher­ic pres­sure. Feath­ers may either ru­in a stone by mak­ing it fra­gile or by chan­ging its col­or or clar­ity, or they may in­crease its value and beauty by adding to its unique­ness.

Color

Col­or is the most ob­vi­ous and at­tract­ive fea­ture of gem­stones. The col­or of a spe­cif­ic stone is due to the atom­ic struc­ture of the stone and its im­pur­it­ies, which ab­sorb cer­tain col­ors and leave oth­er col­ors un­af­fected.

For dia­monds, the term "col­or" refers to some po­s­i­tion in the col­or scale de­vised by the Gem Trade Labor­at­ory of the Ge­m­o­lo­gic­al In­sti­tute of Amer­ica (GIA). The col­ors are di­vided al­pha­bet­ic­ally from D to Z. Let­ters D through M are used with clear, col­or­less dia­monds: D is ab­so­lutely col­or­less; let­ters N through Z de­scribe vari­ous de­grees of yel­low, and Z is giv­en to the fancy yel­low col­or. This scale is re­cog­nized world­wide. To learn more about dia­mond col­or, please check the art­icle about dia­mond col­or.

Cut

The term gem­stone cut usu­ally refers to the pro­por­tions and gen­er­al shape of a stone, the num­ber and po­s­i­tion­ing of the faces (usu­ally called fa­cets), and the type of fi­nal pol­ish. Rough gem­stones are cut in or­der to al­low the best light play, which is one of the most im­port­ant char­ac­ter­ist­ics of a pre­cious gem. There are nu­mer­ous cut­ting styles for vari­ous gems, used to en­hance the nat­ur­al qual­it­ies of each gem. Cut­ting styles can be di­vided in­to two main groups - the dia­mond (or bril­liant) cut and the step-cut. More in­form­a­tion about cut types is avail­able in the art­icle about dia­mond cut.

Crystal inclusion

Crys­tal in­clu­sions, some­times called feath­ers, are one vari­ety of in­clu­sions that may oc­cur in gem­stones. They of­ten add to a stone's value. To­pazes may in­clude golden threads; ru­bies may in­clude vari­ous crys­tals that look like stars. The most pop­u­lar in­clu­sion-hold­ers are the quartzes. Ge­m­o­lo­gists clas­si­fy in­clu­sions in­to three groups ac­cord­ing to when they were formed. One group con­tains those in­clu­sions which were formed be­fore the host­ing gem­stone was formed. In­clu­sions be­long­ing to this cat­egory usu­ally are of a crys­tal nature; of­ten, they are de­sir­able and con­sidered valu­able, en­han­cing the price and look of the gem. An­oth­er group is for in­clu­sions that formed at the same time as the host crys­tal, so they were im­prisoned with­in the gem, and the last group is com­prised of in­clu­sions that formed after the gem was grown.

Dispersion

Dis­per­sion is an op­tic­al prop­erty that meas­ures the way colored light is par­tially re­turned to the sur­face when re­flec­ted from with­in the stone's in­teri­or. Some­times, jew­el­ers refer to this prop­erty as "fire." White light passes through a gem­stone and splits in­to rays of vari­ous col­ors. Be­cause of this fea­ture, some stones can play light in very elab­or­ate and in­tric­ate ways. Light dis­per­sion can be meas­ured with a re­fracto­met­er; re­fract­ive in­dex is the meas­ure of the speed and angle of light en­ter­ing a gem­stone. Dis­per­sion is the dif­fer­ence between the red and vi­ol­et in­dices.

Facet

The cut and pol­ished, flat plane of a gem­stone is called the fa­cet. The num­ber of fa­cets, their ar­range­ment, and the angles between them may dif­fer among vari­ous types of cuts and types of stones.

Faceting

Fa­cet­ing is some­times a syn­onym for the term "cut­ting." It is the pro­cess of mak­ing fa­cets on a stone's sur­face. Fa­cet­ing is com­mon in trans­par­ent stones; it en­ables light to pass through a stone at ex­act angles.

Fancy Color

Fancy col­or is a term used to de­scribe colored dia­monds. The col­or­ing can be caused by vari­ous factors. Some chem­ic­al ele­ments presen­ted to stones can add a tint. For ex­ample, ni­tro­gen cre­ates a yel­low dia­mond. Col­or can also be caused by ra­di­ation that was present dur­ing the dia­mond's cre­ation. The green dia­mond hues are usu­ally the res­ult of ra­di­ation. Some­times, col­or is the res­ult of in­clu­sions, which can add tones and flashes of col­or in a fancy col­or dia­mond.

Fancy Shape

Any kind of shape but the clas­sic­al bril­liant cut can be re­garded as fancy. Mar­quise, Pear, Prin­cess, and Heart shapes are the most pop­u­lar vari­ations of fancy cuts.

Fluorescence

Fluor­es­cence usu­ally is defined as the emis­sion of vis­ible light from a min­er­al or gem­stone when it is stim­u­lated by ra­di­ation or ul­tra­vi­olet light. It is a com­mon fea­ture men­tioned when re­fer­ring to gem­stones, es­pe­cially white ones. Some­times, fluor­es­cent prop­er­ties help to identi­fy the pres­ence of hue in a dia­mond, which can re­duce its value. The most val­ued dia­monds are the col­or­less, white ones.

GIA

The Ge­m­o­lo­gic­al In­sti­tute of Amer­ica was es­tab­lished in the 1931. It is the world's most re­spec­ted labor­at­ory, en­trus­ted with grad­ing and identi­fy­ing more gems than any oth­er labor­at­ory in the United States. The in­sti­tute also serves as the most trus­ted know­ledge base of dia­monds, colored stones, and pearls.

Hardness

Hard­ness is the char­ac­ter­ist­ic that meas­ures a min­er­al's sus­tain­ab­il­ity and dur­ab­il­ity against scratch­ing. It is meas­ured on Mohs hard­ness scale of 1 to 10. Ac­cord­ingly, a dia­mond, be­ing the hard­est, is 10 points; ruby and sap­phire are 9 points; and malachite is only 3 points.

Inclusion

The gem­stones' in­clu­sions can range from atom­ic (also known as im­pur­it­ies) to or­gan­ic. It may be an ad­mix­ture that turns a ruby to sap­phire, it may be a sol­id quartz crys­tal trapped in the host stone, or it may even be an an­cient in­sect or a piece of plant trapped in am­ber. Some in­clu­sions are viewed as bad and un­at­tract­ive, re­du­cing the gem's value, while oth­ers make the min­er­al look unique, beau­ti­ful, and thus more ex­pens­ive.

Mohs scale

Mohs scale of min­er­al hard­ness was cre­ated by the Ger­man min­er­alo­gist Friedrich Mohs in 1822 to meas­ure the re­l­at­ive hard­ness or scratch res­ist­ance of vari­ous min­er­als. The scale grades hard­ness from 1 to 10: a dia­mond, be­ing the hard­est, is 10 points; ruby and sap­phire are 9 points; and malachite is only 3 points.

Point

Be­ing too small to meas­ure in car­ats, the weight of smal­ler gem­stones is of­ten meas­ured in points. One car­at is equal to 100 points, e.g. a 10-point dia­mond has the weight of 0.1 car­at.

Pointer

The term point­er usu­ally refers to any gem­stone which weighs less than 0.01 car­at. They are usu­ally pol­ished or fa­ceted, and their weight is ex­pressed in points, i.e. in 1/100 of car­at.

Refractive Index

This in­dex meas­ures the speed and the angle of light en­ter­ing a gem­stone. Each gem­stone has its own unique re­fract­ive in­dex.

Setting

Gem set­ting refers to the spe­cif­ic mount­ing used to se­cure the gem in a jew­elry piece. De­pend­ing on the size and shape of a gem­stone, the de­sired look of a jew­elry piece, and the jew­el­er's artist­ic vis­ion, dif­fer­ent gem­stones re­quire dif­fer­ent set­tings. The ma­jor ob­ject­ives of any type of set­ting are to se­cure the gem­stone and to en­hance its most valu­able fea­tures, such as the col­or, light play, and shape. The most com­mon gem set­tings are the bezel, pave, bright cut bid set­ting, and prong. More de­tailed in­form­a­tion is avail­able in Gem Set­tings.