Engraving Styles

To dec­or­ate their products, mod­ern jew­elry makers have nu­mer­ous tech­niques avail­able for carving or­na­ment­a­tion and im­ages. Some of these tech­niques are rather simple and are used by prac­tic­ally all jew­el­ers. Oth­er tech­niques re­quire many years of ex­per­i­ence and train­ing, as well as spe­cif­ic and pre­cise tools.

Hand Piercing and Engraving

Hand pier­cing and en­grav­ing tech­nique in­volves craft­ing jew­elry from a sol­id band or strip of met­al. A pat­tern chosen to dec­or­ate a ring or an­oth­er jew­elry ob­ject is out­lined, pierced, and carved on a plate of met­al with the help of the finest drills and saws. Of­ten, be­cause there is such a small space between the lines of an in­tric­ate pat­tern, the hole pierced to out­line a design ac­tu­ally over­laps with the design it­self. After the met­al strip is pierced, the in­ner side of each hole is pol­ished and burn­ished with the dull back side of the saw blade. Then, each design is en­graved to its greatest pos­sible depth. This par­tic­u­lar tech­nique is used by Dmitriy Pavlov, an artist whose works are presen­ted on this site. Over many years of cre­at­ing hand­craf­ted jew­elry, Dmitriy has re­fined, im­proved, and mastered this tech­nique. If you would like to read more about this en­grav­ing style, please check the Step by Step Process.

Banknote Style Engraving

Banknote style engraving is one of the simplest engraving techniques. It originated from a well-known technique used to produce the corrugated surface of banknotes. Originally, the process included several steps. First, certain images were carved on a blank with the help of burins or styluses. Next, the carved surface was covered with typographic paint. Then, the painted blank was pressed to a paper sheet to produce an engraved-like print. The banknote engraving technique used in jewelry making usually refers to a combination of shallow lines of various widths carved on a surface to produce a desired image.

Line Engraving

Line en­grav­ing is an­oth­er rather simple and pop­u­lar tech­nique. Of­ten, it is used for dec­or­at­ing simple, un­pre­ten­tious items. It can look in­ter­est­ing when de­pict­ing a cre­at­ive design and is fairly easy to per­form. An im­age is formed by pro­du­cing close par­al­lel lines of the same width. Some­times, these lines are close enough to cre­ate an im­pres­sion of a cleanly drawn im­age.

Etching

Etch­ing tech­nique is very pop­u­lar nowadays. The work­ing sur­face is covered with lac­quer, and acid is used to cor­rode an im­age onto it. In fact, etch­ing is not only an en­grav­ing tech­nique but also an aux­il­i­ary meth­od of col­or­ing an or­na­ment­a­tion.

Laser Engraving

Laser en­grav­ing is a mod­ern tech­nique in which design is ap­plied by a laser beam in­stead of a carving tool. Re­l­at­ively in­ex­pens­ive, this kind of en­grav­ing is used mostly for mass rep­lic­a­tion. Be­cause the depth of laser-en­graved design ele­ments is al­ways identic­al, this en­grav­ing type can hardly com­pare with qual­ity of hand-made en­grav­ing. Dur­ing the en­grav­ing pro­cess, a laser is placed at a right angle to the sur­face. Hand-carving tools, on the oth­er hand, can be ap­plied at vari­ous angles and with vary­ing pres­sure, al­low­ing for pro­duc­tion of in­tric­ate and mul­ti­di­men­sion­al im­ages with each ele­ment en­graved to its de­sired depth.

Casting

Cast­ing dif­fers com­pletely from the oth­er en­grav­ing tech­niques be­cause an im­age is cre­ated sim­ul­tan­eously with an item it­self. Met­al is cast in­to a shape which already pos­sesses all the fea­tures of the fu­ture item. Then, it hardens in­to the shape of a ring, brooch, or oth­er type of jew­elry. Cast­ing is also used for mass rep­lic­a­tion of jew­elry and oth­er met­al products and is of­ten used by be­gin­ners. Though it is simple and af­ford­able, it does not al­low pro­duc­tion of pre­cise, com­plex, and finely dec­or­ated or­na­ments.

Filigree

Fili­gree, not an ac­tu­al en­grav­ing style, is a meth­od of cre­at­ing or­na­ment­a­tion by sol­der­ing curved or straight wires on top of an item’s sur­face. This tech­nique has been known since the 15th cen­tury and is still used for mak­ing com­plex and beau­ti­ful or­na­ments and im­ages. Al­though fili­gree is fairly pre­cise, tech­niques such as hand pier­cing and en­grav­ing sur­pass it in fine­ness and soph­ist­ic­a­tion.

Guilloche

Guil­loche is a type of ma­chine en­grav­ing. It res­ults in a sur­face carved with a net of very thin straight or wavy lines. Very of­ten, it is used for dec­or­at­ing enameled items, simple jew­elry items, photo frames, cov­ers, plates, souven­ir light­ers, and ci­gar­ette cases.