Early Findings

The first prim­it­ive items made to dec­or­ate the hu­man body were found in Africa, where the earli­est Homo sapi­ens settled. A neck­lace, more than 75,000 years old, was made of snail shells. Beads, 45,000 years old, were made of os­trich egg­shells. Some later jew­elry pieces, such as beads and brace­lets of stones, shells, bones, teeth, and an­im­al leath­er, were dis­covered at the Cro-Magnon set­tle­ments in Europe.

Middle East and Europe

Egypt. The very first pieces of jew­elry were found in Egypt and date from 3,000 B.C. to 1,000 B.C. Egyp­tians so ap­pre­ci­ated the splendor and glit­ter of gold that the met­al was pro­claimed sac­red and used to sym­bol­ize Ra, the god of Sun. In­stead of pre­cious stones, Egyp­tians dec­or­ated jew­elry with colored glass. They pre­ferred this look to the ap­pear­ance of nat­ur­al min­er­als. Egyp­tians were skilled like no one else in pro­du­cing colored glass and cre­at­ing beau­ti­ful im­it­a­tions of nearly any min­er­al. Every col­or had a sym­bol­ic mean­ing. Egyp­tians were in­cred­ibly pre­cise and pi­ous when mak­ing jew­elry and es­pe­cially when cre­at­ing ritu­al dec­or­a­tions.

Meso­pot­amia. About 4000 years ago, the two Meso­pot­ami­an civil­iz­a­tions of Akkad and Sumer were not only fa­mil­i­ar with jew­elry mak­ing, but they also were quite skilled at it. The most sig­ni­fic­ant and mas­ter­ful find­ings are dated 2,900-2,300 B.C.; these were gold and sil­ver items en­crus­ted with lapis lazuli and vari­ous semi-pre­cious stones. As a rule, Meso­pot­ami­an jew­elry was made of thin plates of pre­cious met­al and lav­ishly dec­or­ated with col­or­ful stones.

Greece. The dawn of jew­elry mak­ing in Greece oc­curred in the 14th cen­tury B.C., when Greeks learned to cast gold and to en­crust golden items with gems. Pri­or to that, their jew­elry was rather prim­it­ive. At the be­gin­ning of the 3rd cen­tury B.C., Greeks began pro­du­cing fine jew­elry dec­or­ated with agate, pearls, em­er­alds, and amethyst.

There were two main types of Greek jew­elry – ob­jects used to dec­or­ate the body and re­li­gious ob­jects used for rituals and ce­re­mon­ies. Gen­er­ally, Greeks were re­served people and did not of­ten wear body dec­or­a­tions. Wo­men of no­bil­ity wore jew­elry only on hol­i­days or ce­re­mo­ni­al oc­ca­sions. The cli­mate was a main reas­on for such cus­toms; it was too hot to wear nu­mer­ous dec­or­a­tions.

Rome. For many cen­tur­ies, the Ro­man em­pire was the largest em­pire. It spread over the areas of mod­ern Europe and the Middle East. The jew­elry found on its ter­rit­ory ori­gin­ated from a num­ber of cul­tures and na­tions. Jew­elry spe­cif­ic to the Ro­man em­pire in­cluded rings, brooches used to fasten coats and oth­er cloths, and el­eg­ant pendants and lock­ets filled with in­cense. Ear­rings and brace­lets were worn only by wo­men. The most ex­pens­ive pieces of jew­elry were gold; cheap­er ones were made of bronze, bones, or ivory. The earli­est jew­elry found was made from glass beads and pieces of shell. Ro­mans were known as skilled gem­stones set­ters; the stones they used of­ten came from far-off lands. For ex­ample, they brought sap­phires and dia­monds from Sri-Lanka and am­ber and em­er­alds from In­dia.

Asia

China. China was one of the first civil­iz­a­tions to mas­ter the art of jew­elry mak­ing. Some items found in the re­gion date back to 3,000 B.C. Jew­elry mak­ing in China began with the craft­ing of ritu­al ob­jects dec­or­ated with sym­bol­ic or­na­ment­a­tion and later evolved in­to the pro­duc­tion of items for every­day use. Nev­er­the­less, Buddhism has re­mained the most pop­u­lar theme for dec­or­a­tions and en­grav­ing for cen­tur­ies, even mil­len­nia, and is still pop­u­lar today.

The Chinese were a few cen­tur­ies ahead of Europeans in their mas­tery of jew­elry mak­ing. They used milling tech­nique in the fourth and fifth cen­tur­ies B.C. and could cre­ate very com­plex and fine items. In con­trast to oth­er civil­iz­a­tions, the Chinese have al­ways ap­pre­ci­ated sil­ver much more than gold. Blue and sky-blue enamels, glass, and stones re­mained pop­u­lar throughout all peri­ods of jew­elry evol­u­tion in China. Neph­rite, which sym­bol­ized self-es­teem, firm­ness, and beauty, was the fa­vor­ite stone of the Chinese.

In­dia. The his­tory of jew­elry mak­ing in In­dia began 5,000 years ago. The eth­nic groups settled in the In­dus val­ley about 2,000 years ago were already act­ively trad­ing dec­or­a­tions made of cal­cined stones and glass beads. By around 1,500 B.C., In­di­ans had already mastered the pro­duc­tion of fine golden brace­lets, rings, and ear­rings dec­or­ated with gems.

Tra­di­tion­ally, wo­men wore jew­elry in In­dia. Men wore only rings and some­times dec­or­ated their hair with small beads. Wo­men were the real jew­elry ad­mirers, wear­ing nu­mer­ous brace­lets, pen­dents, neck­laces, and ear­rings to mark their so­cial status and prosper­ity.

Since the third cen­tury B.C., dia­monds have been widely ex­trac­ted in In­dia. This stone has be­come tra­di­tion­al in In­di­an jew­elry ever since that time. However, when Chris­ti­an mis­sion­ar­ies came to In­dia, dia­mond trad­ing was nearly stopped. New re­li­gious act­iv­ists didn’t ap­prove of dia­mond trad­ing, but it was rees­tab­lished a while later.

South America

Pre­cious metals played an im­port­ant part in the Amer­ic­an his­tory. Amer­ic­an gold was the very reas­on that Span­ish con­quista­dores col­on­ized the con­tin­ent. The volume, qual­ity, beauty, and vari­ety of gold from Nat­ive In­di­an cul­ture are truly amaz­ing. They could pro­cess gold and pro­duce soph­ist­ic­ated, beau­ti­ful items, es­pe­cially re­li­gious ob­jects, even 5,000 years ago.

Aztecs, May­ans, Mix­tecs, and Moch­i­cans widely used gold, which was provided abund­antly by the nat­ur­al en­vir­on­ment. Their unique, out­stand­ing skills rival even those of mod­ern jew­el­ers who have ac­cess to pre­cise ma­chinery. Nat­ive In­di­an mas­ters cre­ated many re­mark­able items that were not only el­eg­antly and finely en­crus­ted but also com­plex in struc­ture and design.